《新威龙杀阵》剧照
《新威龙杀阵》剧情介绍
《新威龙杀阵》长篇影评
1 ) 男主貌似下手挺黑的，那个纹身男貌似是，名叫嘴炮的拳击手吧？
看完没神马反应Very good很好，You're great你很棒！
我评分就两种，1种1星，1种满星你很棒！
你很棒！
你很棒！
你很棒！
你很棒！
你很棒！
你很棒！
你很棒！
你很棒！
你很棒！
你很棒！
你很棒！
你很棒！
你很棒！
你很棒！
你很棒！
你很棒！
你很棒！
你很棒！
你很棒！
你很棒！
你很棒！
你很棒！
你很棒！
2 ) 《外来保镖》
1，《威龙杀阵》，这中文译名，像是【清朝人】取的。
还不如简单明了的叫《外来保镖》。
2，总体合格但没什么新意。
大逻辑上脱离现实。
3，男主的出场很棒！
反派肌肉男的出场更是妖娆！
4，男主和女医生约会的地方太美了！
5，但是女医生和男主的爱情线就莫名其妙。
6，开书店的小女孩，挺讨人喜欢的。
7，酒吧和小船的名字取得很有喜感。
8，同样有喜感的，还有反派阵营里的【有问必答】小哥。
9，【杰克.吉伦哈尔】一身肌肉，还是相当震撼的。
这次他的表演，也是另一种风格。
看新闻推送，反派肌肉男是专业拳击运动员。
电影中两人对打，看不出明显的优劣。
为【老吉】点赞。
10，最主打的动作戏，比较写实，但也没达到傲视同行的高度。
片尾终极对战，男主和反派都光着膀子，力量感十足，看着都痛。
此处联想到【吴彦祖】和【王千源】在《除暴》中的【澡堂肉搏】。
11，最后，反派肌肉男这样都不死，也是被编导【独宠】啊。
建议给他出部单人前传电影好了。
3 ) 就是一顿大电炮
话说嘴炮早都该演电影了，只是应该再认真一些，还得努力向巨石强森看齐。
在大家都惊异于杰克吉伦哈尔能健身的时候，我们可以看到，即便演员健身成功，看起来全是腱子肉，在互殴时，跟嘴炮相比，依然显得瘦了一圈。
要知道，嘴炮可不是重量级的选手啊。
这个时候，其实普通人跟职业选手之间的差距，变得肉眼可见了。
故事嘛，没什么故事。
反对无良房地产开发商。
打就完事了。
有一个隐藏的线，就是男主的心理创伤。
我来解释一下我的理解。
他比赛时打死朋友，别人问他为什么，他没有回答。
但是其实后来他表现出了答案。
就是人内心的暴虐。
不加以控制，就会打死人。
他一直在控制自己的暴虐，牢牢牵着心里的疯狗。
直到碰到坏人，可以完全释放出来。
很像甄子丹那个《一个人的武林》的故事核心，控制自己内心里的野兽。
最后说一句，突然想起俄罗斯有一种搏击比赛，2V2。
（就俄罗斯人能想出来这种比赛）那时候就可以看到。
铃声一响，拒绝一切花里胡哨。
任何没用的动作都会招来失败。
任何高招都没有，用东北话说，就是一顿大电炮。
4 ) 很是可惜
这个题材好好弄一下剧情，搞成个三部曲，吉伦哈尔就有一套系列作品了，就像福奎阿给丹泽尔华盛顿拍的伸冤人，不说多经典，也是历久弥新的感觉。
按说里曼都操刀过谍影重重，咋会这么不上心呢！
杰克为这片子挺用功的吧，看这一身腱子肉，嘴炮来助阵+丹妮情款款，异域、码头、酒吧、说唱，都是能出彩的机会，剧本啊剧本，让好莱坞走心走心，人都到位钱白花啦…可惜 可惜 可惜了
5 ) 通过剧中【圣母】医生一角，小分析中西思维逻辑和文化的差异
剧情简单，暴力。
其实挺好的打片。
只不过影片20分钟出现的【圣母表】医生在不问清事件起因缘由的情况下，就指责男主是在【以暴力取乐】的妄加评论行为真的是让我恶心。
更让我恶心的是：这个【圣母表】医生本身却是自己黑警父亲挣毒贩的钱把她养大的。
自己靠黑警父亲吸血欺压当地居民抚养，还要把自己塑造成单亲家庭的可怜人。
吃黑奶长大却成了圣母，登场首秀就不分青红皂白，一刀切指责陌生人男主的【见义勇为】是在【以暴力取乐】。
这真的太有美西方的精髓了，这就是西方的思维逻辑。
如果换做一个中医姑娘，思维逻辑应该是：看到一个陌生高手在打伤数倍于自己的对手后，还能以胜利者的心态，来放低姿态送伤者去就医。
本身就是【划干戈为玉帛】的大侠风范。
聪明点的女孩应该认为是“这位陌生高手把他们打伤，又把他们送来就医，说明高手不是一个单纯崇尚暴力的人”，自己是本地医生，结合本地情况，大概能猜出个一二。
因为有主动搭讪的剧情，说明女医生是个社牛，为了推动剧情和戏份的前进，会在好奇心下主动向陌生高手询问具体原委，并提醒他小心应对和预祝他在这里生活愉快，互留联系方式。
中西方的思维逻辑和文化的差异，一高一低立判高下。
6 ) 这么刺激的片子，你们说不好看？
《新威龙杀阵》。
8分。
道格·里曼导演，杰克·吉伦哈尔、康纳·麦格雷戈、丹妮拉·曼希沃主演作品。
44岁的杰克·吉伦哈尔练出了一身腱子肉，令人艳羡啊，尤记得他在《夜行者》中那猥琐的形象，实在很难想象突然这么健壮。
好莱坞不少影星都喜欢这样虐待自己，比如克里斯蒂安·贝尔。
这是一个极燃的故事，杰克·吉伦哈尔饰演的拳击手道尔顿退役，被海边酒馆请来负责安保，没想到他要对抗的竟然是一个开发商的无脑少爷。
面对几个小喽啰，道尔顿一出手就解决了问题。
小镇生活平静，道尔顿虽然经常在夜里被拳击赛的场面折磨，但日常的生活让他感到美好，书店的小女孩，医院的医生，酒馆的老板娘，以及暴躁但其实掀不起波澜的小镇居民。
于是身陷牢笼的开发商请来了更加暴躁的无比嚣张的康纳·麦格雷戈饰演的恶人诺克斯，这是一个从出场开始就长得十分欠揍的男人。
他带着无比欠收拾的姿态果断地直接地挑衅了道尔顿。
生死战十分精彩。
你之所以还没死，是因为你还没有彻底激怒我。
诚然，故事中的几位女生的人物形象过于干扁，但这么刺激这么燃的片子，你们说不好看？
7 ) [Film Review] Road House (1989) and (2024)
It is original versus remake time! Rowdy Herrington’s ROAD HOUSE is a Patrick Swayze vehicle hot on the heels of his runaway popularity generated from Emile Ardolino’s DIRTY DANCING (1987). Underperformed in the box office front and panned by critics, the film was disgraced by 4 Razzie nominations: Worst Picture, Worst Actor, Worst Screenplay and Worst Supporting Actor (for Gazzara). However, in process of time, the film reaps a cult following largely due to its modern-day Western analogue and hyper-masculine camp (rowdy, full-out bar brawls, a topless, tabletop dance exploitation, and a few fiery explosions, that should more than suffice for the targeted audience), not to mention it has a prime-time Swayze flexing his muscles with gentlemanlike tenderness (a necessarily steamy roll in the hay to allure members of the fairer sex) and lethal aggression in equal measure (if you can ignore his dated mullet coiffure, that is).Swayze plays James Dalton, a professional bouncer haunted by a violent past crime, who is recruited to superintend the security of a roadside bar named“The Double Deuce”in Missouri, where he constantly clashes with the local crime lord Brad Wesley (Gazzara), who has been terrorizing the town to line his own pockets. The tension isn’t alleviated by the fact that Dalton is also attracted to Dr. Elizabeth Clay (a tonic and lusciously tanned Lynch), whom Wesley has been carrying torch for. Things will soon get personal, jolted by a poignant loss, Dalton must overcome his own inner demon while weeding out grasping vermin like Wesley and his henchmen, almost singlehandedly, and eventually brings harmony back to the townsfolk. It is diverting to watch a cool-as-a-cucumber Dalton work in harness, instructing his philosophical work ethics to his subordinates, keeping an alert eye on the hustle and bustle, and teaching a lesson or two to those rough-housing, crapulous hayseeds wanting in discipline and basic manners. And the house band on the premises, headed by singer and guitarist Cody (Healy, the heart and soul of the hit-making Canadian trio“the Jeff Healy Band”, is blind, but look how fantastic he thrums the electronic guitar on his lap!), contributes a rowdy yet spirited miscellany of live performances that aren’t merely honky-tonk.Sam Elliott also creates one of his signature screen characters as Dolton’s mentor Wade Garrett, the coolth that brings a whiff of casual confidence to a fraught situation. With his charming demeanor, habitually canted head and the way he binds his long curly crowning glory before duking it out, Wade is far overqualified for what his role is conventionally designated. In comparison, Gazzara’s Wesley lacks both bone-chilling bite and personal tics to rise above his superficial villainies (among the 4 Golden Raspberry nominations, his is the most plausible). Liman’s remake materializes 35 years later, transposing the location to the Florida Keys and making a meal of the cerulean ocean splendor (the actual shooting location is in the Dominican Republic), accessorized with a major explosion of a catamaran yacht and chilling out on a shallowly submerged islet. Also Dalton (Gyllenhaal) is upgraded to a disgraced former UFC middleweight fighter while the road house becomes the lone holdout against a land-grabbing crime boss Ben Brandt (Magnussen), with members of racial minority groups populating the majority of the supporting cast。
Portuguese actress Melchior steps into Lynch’s shoes as Dalton’s love interest, but is incapable of perking up the role’s vapidity. (Incidentally, fans of Post Malone will be disappointed because the importance and the screen time of his character is highly exaggerated). As per one’s preconception, the remake is a revamp on steroids, borne out by Gyllenhaal’s jacked-up physique, whose career path takes an unexpected turn in recent years, as apparently he chooses to label himself as a veritable action star for the male-leaning demographic. Here, his trademark broad smile and sloe-eyed innocuousness is still present, but only as a persona to hide Dalton’s anger issue, whose eruption would turn him into a merciless killing machine, not so unlike his most formidable rival Knox (acting debut for real-life UFC champion and megastar McGregor), a sheer brute who has a proclivity for streaking. Apart from ditching Wade’s character, the remake’s script is a pedestrian affair, the modern-day Western citation becomes a through-line between Dalton and Charlie (Lanier), a gutsy teenage girl he befriends with. The innovation of shooting the fighting scenes with state-of-the-state technology and stunt work turns out to be a double-edged sword, the sense of visceral impact and damage caused by each and every heavy strike is deadened by the ultra-rapid cutting and the action’s gamified aesthetics. The final throw-down between Dalton and Knox is obviously an arduous physical endeavor for both, but the effect doesn’t really packs a punch, cannot hold a candle to Teague (as Wesley’s most homicidal and kung-fu savvy heavy) and Swayze’s brutalizing slugfest in the original. Taking up the gauntlet to challenge Swayze’s iconic role, Gyllenhaal, barring bulking up for both personal gain and career request, aims to channel the monstrosity that is latent in Dalton and under-tapped in Herrington’s film, which the film only manages to extract in a few glimpses. If anything, it is Magnussen who possesses more gusto and showcases more versatility. Whether his Brandit is slimy, supercilious, flustered or flat irate, this is a villain who has relatable characteristics that could hook audience, adding a grace note to another passable remake whose own existence is questionable in the first place.referential entries: Kathryn Bigelow’s POINT BLANK (1991, 6.3/10); Doug Liman’s FAIR GAME (2010, 6.8/10), EDGE OF TOMORROW (2014, 7.3/10).
Title: Road HouseYear: 1989Country: USALanguage: EnglishGenre: Action, ThrillerDirector: Rowdy Herrington Screenwriters: R. Lance Hill, Hilary HenkinMusic: Michael KamenCinematography: Dean CundeyEditors: John F. Link, Frank J. Urioste Cast:Patrick SwayzeBen GazzaraSam ElliottKelly LynchKevin TigheMarshall R. TeagueRed WestJulie MichaelsSunshine ParkerJeff HealeyJohn DoeKathleen WilhoiteTravis McKennaJohn William YoungTerry FunkAnthony De LongisJoe UngerKeith DavidGary HudsonRating: 6.9/10Title: Road HouseYear: 2024Country: USALanguage: EnglishGenre: Action, ThrillerDirector: Doug LimanScreenwriters: Anthony Bagarozzi, Chuck MondryBased on the motion picture screenplay by R. Lance Hill and Hilary HenkinMusic: Christophe BeckCinematography: Henry BrahamEditor: Doc CrotzerCast:Jake GyllenhaalDaniela MelchiorConor McGregorBilly MagnussenJessica WilliamsB.K. CannonJoaquim de AlmeidaHannah Love LanierKevin CarrollLuke GageDominique ColumbusArturo CastroDarren BarnetJD PardoPost MaloneTravis Van WinkleBob MeneryCatfish JeanCraig Ng Jay HieronRating: 6.2/10
8 ) 哈哈哈
我觉得算烂片💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔
9 ) 浪子绝不回头
最近看太多乱七八糟的电影，人都快被填满了，必须放松放松，看无脑嗑瓜子的电影。
奇怪啊，以前看电影都是抓把花生瓜子什么的，怎么电影院高大上以后，吃爆米花了？
一点都不卫生！
搜了老威龙杀阵，是人鬼情未了的主角那哥们主演的。
不看，不想破坏他情圣的样子。
话说，这个译名真俗，哥们就喜欢看俗的！
都看了不少的文艺片了，竟还看的津津有味，这生冷不忌啊，就像曾经喝酒一样白的啤的红的洋的黄的。
图片片头破车笼斗摇滚乐打不赢直接跑的嚣张拳手海明威喝过酒的小店，酒吧里爵士乐，他们骨子里好像就流淌着音乐似的。
古巴也太实在了，根本不是当小弟的料。
整个故事就是有点精神问题的看场小哥打黑除恶的故事！
不，打击的是无良地产商！！
NOT ONLY,BUT ALSO……简单热血装逼快意恩仇耍帅，男主角太难了这么多事儿都得干，事后走得一丝牵挂都没有，像很多渣男一样。
一身的腱子肉，不懂武术不会咏春，多可惜啊。
内功，练气，御剑要是这些都会了，那报仇不就是手拿把掐的事儿吗。
彩蛋我太喜欢了！
哈哈哈！
图片窝囊的地产商利诱不会，强拆也不会，呸！
本来可以做大做强再创辉煌的，什么时代了打打杀杀没前途。
守着破房子的老板不能审时度势合作共赢？
完了……我竟有这想法？
大概是我老了。
没那股劲了，失去了某种自由平等的精神！
敌人害怕他，小弟崇拜他，女人喜欢他，只有这个小资本家在问为什么，这是试图理解他。
可惜，他永远不会懂浪子的！
图片十几年前的美国电影里都有这样的门脸，可以是酒馆饭馆咖啡馆，印象里总有闲人喝着啤酒看着挂在墙上的电视里播放着新闻。
我现在都十分不理解，到底什么人可以闲着喝啤酒看新闻？
有钱，还闲？！
哼，美帝用这种电影洗脑我！
办不到！
那些富豪是窃取人民生产资料榨取工人剩余劳动时间的资本家！
我们只是一部分人先富裕起来……每次走到五洲湖附近的别墅区，我都会这么想！
图片就这电影都可以叨逼叨的说这么多，我是不是有什么心理问题啊！
不，这是个很有教育意义的电影，它教育我，浪子绝不回头，偶尔心软一回头，差点把命搭上……那结局必须是走，头也不回，女人和钱都不要！
好像北斗神拳里的健次郎，我听别人说这世界上有一种鸟是没有脚的，它只能够一直的飞呀飞呀，飞累了就在风里面睡觉，这种鸟一辈子只能下地一次，那一次就是它死的时候。
图片当浪子停下的时候，也就是青春激情自由都死了的时候。
所以浪子绝不回头。
10 ) 还是那个帅气的大男孩
片尾的彩蛋太逗了，这二货简直是金刚转世，千万别错过。
相较于好似孙悟空虐小妖一般的“伸冤人3”来说，显然“新威龙杀阵”的娱乐性要强的多，男主角很帅气，打斗很过瘾，其实这就是一部带有复古风格的娱乐片，没必要去纠结什么故事合理性和俗套情节，爽就对了，一部除暴安良的电影，不管你的剧情多么牛B，风景多么优美，人物多么帅气，无论如何，你都应该要给主角找一个势均力敌的对手。
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這裡的影片中是記錄下一個二千年前後時期的歌手怎麽以一首歌紅遍全球在講她的生平因為歌首首歌聲動人，感人心弦，像是在講大家的生活中的點點滴滴。